Principles of Myroslav Skoryk’s Individual Style of Music in the Piano Cycle of Preludes and Fugues
Liutsiia Tsiganiuk · Edukacja Muzyczna · 2021
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1,242 papersQuestions on this topic
A história muda: uma contribuição à história dos músicos do cinema silencioso
Eduardo D'Urso Hebling, Jônatas Manzolli · Opus · 2021
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Book Review of ‘Kirsten Seidlitz. 2020. Musik & Politischer Konflikt aus der Türkei – kurdische, alevitische und linke Musik in Deutschland’ [Music and Political Conflict from Turkey – Kurdish, Alevi, and Leftist Music In Germany]. Bielefeld: Transcript.
Gisa Jähnichen · Asian-European Music Research Journal · 2021
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Beats + Sample Manipulation in Pure Data with Raspberry Pi
Nick Demopoulos · Revista Vortex · 2021
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Treasures Uncovered in the Library of the Archdiocese and the Cathedral Chapter of Zagreb. Reconstructing the Sanctorale of Esztergom Cathedral’s 13th-Century Notated Breviary
Gábriel Szoliva · Arti Musices · 2021
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A performance musical como perspectiva das propostas teórico-analíticas de Schenker e de teóricos neoschenkerianos
Renata Coutinho de Barros Correia, Adriana Lopes da Cunha Moreira · Orfeu · 2021
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A equação da brasilidade em “Alegria, alegria”: panorama e aspectos formais
Pedro Henrique Martins · Orfeu · 2021
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Johann Sebastian Bach. Toccata (with the fugue) d-moll for Organ BWV 565. “According to the Gospel of John” as a Subject of Musical and Theoretical Analysis from the Perspective of Musical Rhetoric
Tatyana F. Prodma · Музыкальное искусство и образование · 2021
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El 'sonido del odio' como arma política de la extrema derecha española
Eva Gómez Fernández · Epistemus · 2021
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¿Dónde se escucha tango en la Ciudad de Buenos Aires?
Facundo Fernández · Epistemus · 2021
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Glasbene povezave med Moravsko in slovenskimi deželami v obdobju baroka
Jana Spáčilová · De Musica Disserenda · 2021
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Reformas curriculares na educação básica sob três perspectivas: BNCC, mediações estaduais e experiências de ensino de música em escolas públicas
Sérgio Inácio Torres, Ronaldo Aparecido de Matos · Orfeu · 2021
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Pedagogia do Piano e a Ciência: Trajetória, Conquistas e Continuidade
Alfeu Rodrigues de Araújo Filho · Revista Vortex · 2021
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La crisis de la ópera en la obra de Theodor Adorno. Historia y crítica de un tópico infundado
Daniel Martín Sáez · Opus · 2021
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Musical Preference: Role of Personality and Music-Related Acoustic Features
Maya B. Flannery, Matthew H. Woolhouse · Music & Science · 2021
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Consistent Pitch Height Forms: A commentary on Daniel Muzzulini's contribution Isaac Newton's Microtonal Approach to Just Intonation
Thomas Noll · Empirical Musicology Review · 2021
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Performing Interpretation as a Tool for Studying the Author’s Text in the Courses of Musical-Historical and Musical-Theoretical Disciplines
Ekaterina A. Shkapa · Музыкальное искусство и образование · 2021
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Making a Difference with Music Psychology Research: Strategy, Serendipity, and Surviving a Global Pandemic
Alexandra Lamont · Music & Science · 2021
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Modos de escucha, imaginarios nacionales y políticas culturales: trayectorias de la investigación musical en Puerto Rico y desafíos ante las políticas del neoliberalismo colonial
Mareia Quintero Rivera · El Oído Pensante · 2021
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Decreasing Stress Through a Spatial Audio and Immersive 3D Environment: A Pilot Study With Implications for Clinical and Medical Settings
David M. Greenberg, Ehud Bodner, Amit Shrira et al. · Music & Science · 2021
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