La reina del (melo)drama. La representación cinematográfica de Victoria del Reino Unido
Teresa Sorolla-Romero
Potestas. Estudios del Mundo Clásico e Historia del Arte · 2019
doi:10.6035/potestas.2019.14.5 (opens in a new tab)
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Abstract
In this article we intend to focus on the most significant as-pects of the aesthetic and narrative strategies which interwave the filmic discourses devoted to Victoria of the United Kingdom along the first two decades of the 21st century: The Young Victoria (Jean-Marc Valleé, 2009), Mrs. Brown (John Madden, 1997) and Victoria & Abdul (Stephen Frears, 2017). Our aim is to identify which biographical choices are em-phasized –that is, which facets are highlighted, omitted or invented– in order to understand which mechanisms articulate several filmic images of the British monarch and Empress of the India.
Abstract licence: CC BY-SA
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