El pluriverso en la historia del arte
Lucía Ayala
Anales de Historia del Arte · 2012
doi:10.5209/rev_anha.2011.37449 (opens in a new tab)
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Abstract
Mi tesis doctoral analiza, según modelos metodológicos basados en la nueva teoría de la imagen, los grabados surgidos a través de las diferentes ediciones de la novela de divulgación científica Entretiens sur la Pluralité des Mondes (Fontenelle, 1686-hoy), dando como resultado una idea renovada de nuestra propia disciplina.
Abstract licence: CC BY
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