Dinâmicas coletivas em cenas musicais: A experiência do grupo #acenavive no Rio de Janeiro
Luiza Bittencourt, Daniel Domingues
Revista Crítica de Ciências Sociais · 2016
doi:10.4000/rccs.6251 (opens in a new tab)
We email you when a new notice or a question about this paper appears.
Abstract
This article aims to analyse the links between the group of artists organised around #acenavive in Rio de Janeiro. It therefore uses the notion of the music scene to (i) analyse the history of the collective form of organisation developed by these young musicians and understand their objectives and motives; (ii) map the urban spaces frequented by the artists and used to present shows (iii) identify the main cultural and social practices that feature in the links between these young artists.
Abstract licence: CC BY
Reads
Read by people on this page
None yet.
Checked or read by AI through naulon
None yet.
A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.
Are you an author?
Is this your paper?
Claim it to add your note and be paid when agents cite it. Free.