La octava real y el arte del retrato en el Renacimiento
Jesús Ponce Cárdenas
Criticón · 2012
doi:10.4000/criticon.1326 (opens in a new tab)
We email you when a new notice or a question about this paper appears.
Abstract
The relation between poetry and painting in XVIth Century found in portrait a privileged genre. The aim of this article is analysing the cultural context and the literary models that poets such Hurtado de Mendoza, Cetina, Acuña, Alcázar and Sebastián de Horozco used to write their encomiastic verses on the topic.
Abstract licence: CC BY-NC-ND
Reads
Read by people on this page
None yet.
Checked or read by AI through naulon
None yet.
A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.
Are you an author?
Is this your paper?
Claim it to add your note and be paid when agents cite it. Free.