Góngora y su ambigua apropiación en el tiempo de los novatores

This article explores the process by which the legacy of Góngora was received —in the sense of the «theory of reception»— during the time of the novatores, in both theoretical production as well as in poetic discourse. Emphasis falls on the ambivalent reception of Góngora, i.e., either through a verbal exaltation of Góngora confronted to a poetic praxis rather neoclassicist, or through a classicist theory accompanied by a liking of Góngora’s poetry, or even through an inescapable inscription of Gongorist resources in a classicist poetic discourse. Ultimately, we analyse Góngora’s role in the complex process of cultural iconization associated to the elaboration of national identity, a more fruitful field than the one of «anxiety of influence».

Abstract licence: CC BY-NC-ND

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