Cinéma et temps bergsonien

This article takes place in the perspective of a Bergsonian Time, the inner Time of consciousness, the memory of the self, but also the memory of the world and the memory of the material. The aim is to show what cinema brings concretely, in its perception of Time, and in its reflection on Time. In its best achievements, cinema is a complete experience of Bergsonian Time. The article starts from the perception of material Time to investigate the collective time, and then God’s eternity, through the examples of Huillet and Straub, as well as Resnais, Leone, Sautet, Welles, Antonioni, Visconti, Varda, Buñel and Dalì, Griffith, Tati, Michel Pascal.

Abstract licence: CC BY-NC-SA

A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.