Écriture cinématographique et cinéma contextuel à travers l’expérience de D. Piţa

As a means of creating, cinema obviously links cultural and artistical patrimony with the natural forms issued from the medium as long as it fulfils the concerns and demands of technicity from a filmmaker. The context of cinematographic arts according to D. PIŢA leads to many prospects: throughout the readings of both his works and remarks, the film director from the New Romanian Wave unveils some aspects of the trading « made home ». Entertainment enterprise, testimony upon one time virtually conversed, edited parts smartly removable, one film is the fruit of one long and harsh working team. And beyond that, in each film realised, it’s in itself, a bit left apart – that part of oneself, common, which D. PIŢA indubitably lays to the service of one society sharing sense and ambition about what he defines as passion: so as to make dreams come true, so as to make the multiple faces of the film industry existed. Because cinema is also the transmitter of one vision through its productions, the work of assistant director clarifies for a good part the mental of an artist involved front of the epoch. The way this scripture applies on screening, that may as much delivers enigmas as quests upon the senses to be given, by style effects, stands as well for an invitation to understand cinema and what remains possible as another discovery of this medium and of creation.

Abstract licence: CC BY-NC-SA

A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.