La Danse des Esprits au-delà de Wounded Knee: un épisode historique signifiant de l’expression du mineur et du tiers-espace
Tatiana Viallaneix
Babel: Littératures Plurielles · 2019
doi:10.4000/babel.7620 (opens in a new tab)
We email you when a new notice or a question about this paper appears.
Abstract
The Ghost Dance is a millenarian Indian movement which spread in 1889 and 1890 through the great plains of the United Sates and whose prophet, Wovoka, announced the advent of a new golden age of Indian nations. This protest is commonly remembered in relation with the 1890 Sioux rebellion and the Wounded Knee massacre, its apparent end. However, the Ghost Dance actually belongs to a continuum of Indian reactions to colonization and constitutes a significant event of the minor, defined by Gilles Deleuze and Félix Guattari. Marked with hybridity, it served as the individual and collective expression of a suffering, of a desire to remember and resist, and of a resilience; it has remained an object or symbol among Indian artists. Acting as a third space, in Homi Bhabba’s terms, it was revived for cultural and political purposes by Red Power in the 1970s before eventually taking a universal turn.
Abstract licence: CC BY-NC-ND
Reads
Read by people on this page
None yet.
Checked or read by AI through naulon
None yet.
A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.
Are you an author?
Is this your paper?
Claim it to add your note and be paid when agents cite it. Free.