Traces of Traces: Time, Space, Objects, and the Forensic Turn in Photography

Images of atrocity are deeply problematic, in that they potentially create a tension between form and content and are often accused of re-victimization, aesthetization of suffering, compassion fatigue and exploitation. As an alternative, therefore, there is considerable potential in examining images associated with atrocity that do not depict the actual act of violence or the victim itself, but rather depict the material presence of the spaces and objects involved in such acts. The temporality of the photograph is also fluid in this type of approach. This paper considers the work of four photographers (Edmund Clark, Ashley Gilbertson, Shannon Jensen, and Fred Ramos) who have used a “forensic aesthetic” in their practice.

Abstract licence: CC BY

17 more references, whose wording the paper’s licence keeps private.

A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.