TV Museum: Contemporary Art and the Age of Television, by Maeve Connolly
Erica Levin
Alphaville: Journal of Film and Screen Media · 2015
doi:10.33178/alpha.10.14 (opens in a new tab)
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Abstract
In 1984, on the eve of Ronald Reagan’s re-election, television coverage of the US presidential race was suddenly interrupted by a breaking news story: Soviet arms were reportedly on their way to Nicaragua. Moscow, it appeared, had orchestrated this carefully timed manoeuvre to upset the delicate balance of power in the region. Network broadcasters and other media outlets reported on this crisis for days, despite the fact that no evidence of the shipment had surfaced beyond a few grainy satellite pictures. The story was based entirely on leaked intelligence reports, which ultimately turned out to be false. Even after they were discredited, however, the media frenzy around these reports helped to bolster support for continued US intervention in Central America during Reagan’s second term in office.
Abstract licence: CC BY-NC
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