Skip to content
naulon
Not checkedNot checked for notices yet.

Szerepjáték, álnévhasználat és irodalmi fikció

KRISZTIÁN BENYOVSZKY

Névtani Értesítő · 2019

doi:10.29178/nevtert.2018.7 (opens in a new tab)

We email you when a new notice or a question about this paper appears.

Abstract

Role-playing games, the use of pseudonyms and literary fiction The paper contains the onomastic analysis of the comedy crime novel Zločin Hercula Poirona (The Crime of Hercule Poiron) by Eva Bešťáková, which was published in 2016. The focus is on the connection between role-playing games and the motivations behind the use of pseudonyms. The story of the Czech writer foregrounds a main character who one day decides to play the role of Hercule Poirot. His name (Hercule Poiron) and his features are similar to those of the world-famous Belgian detective. He manages to persuade many people that he is the real Poirot, however, he is well behind in character and skills. As a result, his game eventually fails. The story of Poirot has a metaphorical meaning. The conclusion of the study is that the behaviour of the characters in literary apocrypha is characteristically theatrical: similarly to actors, the characters use pseudo-nyms temporarily, while they step into the shoes of another person. This means that detective figures in Poirot stories not written by Agatha Christie must be considered figures who play the role of the real Poirot.

Abstract licence: CC BY-NC-ND

Reads

Read by people on this page

None yet.

Checked or read by AI through naulon

None yet.

A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.

Are you an author?

Is this your paper?

Claim it to add your note and be paid when agents cite it. Free.