Drawing and the Invisible
Laura Marcolini
Diségno · 2019
doi:10.26375/disegno.4.2019.12 (opens in a new tab)
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Abstract
In recent years, the Italian word disegno has expanded its range of meaning, embracing the influences of the English term design and thus involving the whole semantic field related to project conception and to the definition of spatial, sound and even behavioral configurations. This shift dialogues spontaneously with the attitude that has accompanied Studio Azzurro since its foundation, even though, precisely for this fact, it may prove potentially insidious (read more).
Abstract licence: CC BY-NC-ND
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