The maiden and death: A comparative reading of the homonymous compositions of Nikos Skalkottas and Antiochos Evangelatos as narrations of Greek tradition
Siopsi Anastasia
Muzikologija · 2004
doi:10.2298/muz0404083s (opens in a new tab)
We email you when a new notice or a question about this paper appears.
Abstract
Nikos Skalkottas?s (1904-1949) first ballet score, The Maiden and Death, was written in 1938. It is one of his most important tonal works, its plot being derived from a well-known folk-poem with the same title. Antiochos Evangelatos?s (1903-1981) homonymous symphonic ballad, written three years later, uses verses from the same folk-poem. The present comparative study attempts to analyze aesthetic aspects of these two works which are viewed moreover, as aesthetic entities in music history of a wider cultural background.
Abstract licence: CC BY-NC-ND
Reads
Read by people on this page
None yet.
Checked or read by AI through naulon
None yet.
A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.
Are you an author?
Is this your paper?
Claim it to add your note and be paid when agents cite it. Free.