Skip to content
naulon
Not checkedNot checked for notices yet.

Artists and Artisans in Hispano-American Pre-Industrial Societies, 16th - 18th Centuries

Orián Jiménez Meneses, Sonia Pérez Toledo, Kris Lane

Historia y Sociedad · 2018

doi:10.15446/hys.n35.71995 (opens in a new tab)

We email you when a new notice or a question about this paper appears.

Abstract

Presentation made by the editor-director an the guest editors for issue 35. This article deals with the relations between craftwork, material culture and religious devotion in the Nuevo Reino de Granada; explains and defines the role that met the craftsmen at religious festivals and the elaboration of ephemeral art objects for civil parties. His dedication to his work as a “work of God” and the condition of cultural mediators allowed to perform different activities and build economic independence and commercial networks. Carpenters, tailors, silversmiths, blacksmiths, masons and barbers were indigenous shaping, since the second half of the seventeenth century, as a “middle class” with economic power and independence of the hegemonic social groups. The cofradía and the workshop would be the most effective way to build a subculture within the Hispanic world.

Abstract licence: CC BY

Reads

Read by people on this page

None yet.

Checked or read by AI through naulon

None yet.

A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.

Are you an author?

Is this your paper?

Claim it to add your note and be paid when agents cite it. Free.