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El espacio cultural transnacional en la post-Transición. El caso de las series televisivas Amores difíciles y La reina del Sur / The Transnational Cultural Space in the Post-Transition. The Case of the TV series Amores difíciles and La Reina del Sur

Manuel Palacio, Rubén Romero Santos

Secuencias · 2017

doi:10.15366/secuencias2016.43-44.008 (opens in a new tab)

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Abstract

<p>Tomando como punto de partida el trabajo de Alberto Elena, <em>Cruces de destinos. Intercambios cinematográficos entre España y América Latina</em>, los autores analizan cómo ha evolucionado el panorama audiovisual latinoamericano al mismo tiempo que cambiaba la política cultural española con respecto a América, ejemplarizado en sendas coproducciones y adaptaciones literarias como son <em>Amores difíciles</em> y <em>La reina del sur</em>.</p><p><strong>Palabras clave:</strong> Post-Transición, televisión transnacional, coproducción, Pérez Reverte, García Márquez, adaptación literaria.</p><p><strong>Abstract:</strong></p><p>Taking as a starting point Alberto Elena’s work, <em>Cruces de destinos. Intercambios cinematográficos entre España y América Latina</em>, the authors analyse how the Latin American audio-visual scene has evolved at the same time that the Spanish cultural politics was changing with respect to Latin America. This will be exemplified in both co-productions and literary adaptations: <em>Amores difíciles</em> and <em>La reina del sur</em>.</p><p><strong>Keywords:</strong> Post-Transition, transnational television, co-production, Pérez Reverte, García-Márquez, literary adaptation.</p>

Abstract licence: CC BY

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