Skip to content
naulon
Not checkedNot checked for notices yet.

A graphical documentation methodology for a contemporary artwork: Julio Resende's garden bench of the Parnaso building in Oporto

Claudia Alquini, Frederico Henriques, Joana Teixeira and 1 more

Conservar Património · 2018

doi:10.14568/cp2017006 (opens in a new tab)

We email you when a new notice or a question about this paper appears.

Abstract

The present article aims to address some solutions to the problems of 2D and 3D graphical documentation in contemporary art objects. The garden bench by Júlio Resende in the Parnaso building located in the city of Porto was selected as a case study. With the combination of some systems of representation, it was intended to collect a comprehensive set of information that would enable the characterization of the object, as well as to establish the relation of applicability of the documentation methodology to the specific issues of the work with emphasis on support in the definition of intervention criteria and methods and, consequently, to present a documentation methodology for contemporary art. Starting from these premises the survey will be approached in different ways through 2D graphic registration, photogrammetry and 3D computer graphics.

Abstract licence: CC BY-NC-ND

Reads

Read by people on this page

None yet.

Checked or read by AI through naulon

None yet.

A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.

Are you an author?

Is this your paper?

Claim it to add your note and be paid when agents cite it. Free.