Skip to content
naulon
Not checkedNot checked for notices yet.

Charles Tomlinson and the Nameless You

Judith P. Saunders

Names · 2006

doi:10.1179/nam.2006.54.3.263 (opens in a new tab)

We email you when a new notice or a question about this paper appears.

Abstract

Abstract The British poet Charles Tomlinson (1927--) frequently addresses his poems to a specific but unnamed listener-companion. Such deliberate concealment of identity achieves a paradoxical effect: it stimulates readers’ curiosity and heightens the importance of the name that is withheld. Functioning as an unrestricted signifier, the “you” of the poems assumes an all-inclusive, larger-than-life character. Patterns of metaphor involving celestial light, such as moon, star, or sun, further exalt the nameless presence. The implications of Tomlinson's strategy of omission are wide-ranging, aesthetic and philosophical as well as personal. Casting an aura of mystery around an often invoked and clearly significant Other in his poems, he underlines the power of naming in an unusual fashion.

Abstract licence: CC BY

Reads

Read by people on this page

None yet.

Checked or read by AI through naulon

None yet.

A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.

Are you an author?

Is this your paper?

Claim it to add your note and be paid when agents cite it. Free.