Skip to content
naulon
Not checkedNot checked for notices yet.

Charles Ives’s: A Conductor’s Guide

Brian Coffill

SAGE Open · 2019

doi:10.1177/2158244018820353 (opens in a new tab)

We email you when a new notice or a question about this paper appears.

Abstract

Charles Ives’ Decoration Day, a dreamy haze of almost-forgotten memories and half-remembered tunes, depicts recollections American Civil War through the eyes of a Connecticut youth at the end of the nineteenth century. The work, originally published as the second movement of Ives’ New England Holidays Symphony for orchestra, is a musical representation of the composer’s childhood memories of that eponymous holiday. This paper links Ives’ own descriptions of the composition, his childhood, and his memories of the somber annual memorial to the musical gestures in the score, synthesizing extant scholarship with practical analysis and performance experience. Through better understanding Charles’ connections to the Civil War, specifically by way of his father, the bandmaster George Ives, Decoration Day comes to life as a stirring epitaph for a boy’s long-lost hero.

Abstract licence: CC BY

Reads

Read by people on this page

None yet.

Checked or read by AI through naulon

None yet.

A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.

Are you an author?

Is this your paper?

Claim it to add your note and be paid when agents cite it. Free.