Mecanismos de linguagem nas artes durante a contrarreforma

This paper investigates composition principles in the context of the Catholic Counter- Reformation, when strongly rhetoric principles are summed up and used systematically in different artistic genres. The intent is to find a particular forma mentis, in a society that operated much by “custom”, making care to do not intend that certain concepts would exist with the same intensity and consistency throughout the entire period from the advent of the Council of Trent and the collapse of the old European monarchical regimes; but, that similar and “congenital” concepts circulated in some way, more or less consciously according to the case and its protagonists, throughout the period.

Abstract licence: CC BY

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