A comparative study: The principles of the distancing effect in Brechtian theater and Ta’ziyeh

This article studies the relationship between actors and audiences participation in theater, using the oft-compared Brechtian theater style, and the religious and ritualistic Passion play Ta’ziyeh. To investigate the similarities and differences between these two forms, the distancing or “V”- effect of Brechtian theater is compared to the dramatic value of distancing in conveying the strong moral principles associated with the traditional performance of Ta’ziyeh. To disprove the argued association between the two forms, to inform how modern theater-goers appreciate the influence of each form the objective of this paper is to provide a deeper and more culturally specific understanding of Ta’ziyeh’s engagement with reality and the symbolic, particularly with regard to the position of actors and audiences towards each other. To this end, the critical elements in both Ta’ziyeh and the Brechtian V-effect are comprehensively discussed.

Abstract licence: CC BY

A person counts once a day per paper. We keep no cookie and no address: a reader is a hash that changes every day. Any month under five reads shows no number.